12/9/2023 0 Comments Chill vibe songs 2019Here, that’s an occasional hand clap or barely-there percussion. Tame Impala has always been about the little flourishes between the lines-the moments that happen just below the surface. It’s a stunningly efficient piece of pop music, with Parker’s glassy voice floating across the ice rink-smooth foundations laid by the song’s drums and synths. Moving away from the ’60s and ’70s influences of albums past, Parker finds himself exploring the worlds of glam, disco, and dance floors across the globe. Tame Impala’s Kevin Parker has always been a restless songwriter, but his new approach on “Patience” comes as a bit of a surprise. Perhaps he says it best himself on the second verse, “Baby Keem: not a wave, I’m a vibe, ho.” -Grant Rindner “You want me drop a band on some cute shoes?/You want me be the man you can vent to?” he asks, weighing just how far he’s willing to go for physical pleasure. Ultimately, “Orange Soda” is Keem at his most irreverent and charming, covering topics other rappers have explored ad nauseam, but with an idiosyncratic charm. The production’s eerie synth could provide the perfect soundtrack to take a drive for a late-night hookup, and Keem’s bars are lusty and urgent, while still maintaining his brilliant deadpan humor. Yet, he’s one of 2019’s most captivating and promising new artists, and tracks like “Orange Soda” prove why, even if you can’t quite articulate it. His melodies are simple and understated, and his beats are often skeletal. His vocals are malleable-he can rap for mosh pits and wounded lovers alike. It’s difficult to pinpoint what exactly makes Baby Keem’s music great. The result is a Freaky Friday of sorts, with Young Chop basking in the Atlanta glow and Future putting on for the Chicago legends we’ve lost along the way. A collaboration of this magnitude could have fallen flat, but both artists jumped at the opportunity to try something new. Future’s flow moves a little angrier than typical for the Atlanta legend, perhaps pushed by the heavy bass of Chop’s arrangement. It goes down easily, but still has the sharp sting of a Windy City winter day. Chop has been an icon for years, and by linking up with Future, the two re-imagine the landscapes they typically reside in to create a song that meets in the middle of Atlanta and Chicago. “Ammo & Juice” isn’t featured on either of the two albums Chop released this year, but it might just be the best thing he did all year. On first glance, that’s what Young Chop has done with his Future collaboration, but “Ammo & Juice” is more than a high profile meet-up between two artists looking for a nice check. Angel DiazĪs a producer, there are worse creative decisions than letting Future freestyle over your beat for three minutes. Either way you feel, this song slaps, so try to enjoy things. To each their own, though, right? Everyone is entitled to their opinion. I don’t speak for everyone, but I don’t take issue with it. A lot of conversation started after this song dropped because some feel ROSALÍA is appropriating Latinx culture and trying to hop on the new Urbano wave that’s been taking over, being that she’s from Spain and not, say, South America or the Caribbean. Balvin, and producers El Guincho and Frank Dukes, for bringing that beautiful old school reggaeton vibe to life. And let us not forget about the wonderful contributions of J. You’re not going to feel alive until you pull up to Spanish night when this is playing and shorty hits you with that perreo that’ll send you to meet God. She’s a star, an idol, and a jewel of the purest form. Producers: ROSALÍA, Frank Dukes, and El Guincho 1 spot on the list to see how we feel about Roddy Ricch songs we’ve had a more substantial amount of time to live with. Honestly, when we look back on this list years from now, we might realize “The Box” deserved to be ranked much higher, but it’s only been out for a week at the time we’re publishing. It still feels a little early to pick a standout song on his exceptional debut album, Please Excuse Me for Being Antisocial, but “The Box” shows just how well-rounded of an artist Roddy Ricch really is. Yeah, he has a gift for melody, but he can also deliver razor-sharp, clever bars about his upbringing in Compton, with a level of precision that’s uncommon amongst his peers. His talents as a vocalist shine through on “The Box,” but the song also hints as to why Roddy may be reluctant to box himself in as a singer. Of the young rappers coming up right now, Roddy just might have a better ear for melody than them all. In interviews, Roddy Ricch often claims that he “doesn’t really sing.” Of course, anyone who has heard the 21-year-old artist float on songs like “Ballin” or “Down Below” knows that’s a preposterous statement to make. Album: Please Excuse Me for Being Antisocial
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